Also renowned for their intense live show and DIY roots, Touché totally re-recorded their 2009 debut …To the Beat of a Dead Horse, earlier this summer as Dead Horse X, so we’d expect quite a few oldies this time around. After some time off, Touché returned with their fourth LP, Stage Four, in 2016, marking their most personal and essential LP to date, seeing vocalist Jeremy Bolm, a gifted lyricist and a singer capable of projecting so much emotion through his raw style, using his music as a way to cope and open up about the the untimely passing of his mother in 2014, turning tragedy into some of the most devastatingly beautiful songs the band have ever made. Since first coming together in 2007, the group have unleashed four fantastic albums, each successively better than the last, with 2013’s Is Survived By arriving as something of a modern post-hardcore masterpiece, landing the group universal acclaim and netting them tours across the globe. 3, La Dispute make their Music City return at The Basement East in support of their latest, part of a stellar lineup that also includes Touché Amoré and Empath! We’re shocked to see that tickets are still available, but if you’re a fan of substantive, genre-bending punk and don’t yet have yours, snag ’em right here!Ī visceral, genre-bending, impassioned, and often emotionally ravaging ball of art-punk angst and post-hardcore mastery, Burbank, California’s Touché Amoré have become of the premiere bands to showcase a balance between heavy and melody, all the while reaching for a higher concept than most any of their peers. Fiercely DIY-rooted and charitably minded, La Dispute are an incredible, genre-bending live act to boot, and their latest LP, this year’s long-awaited Panorama, a critical triumph and certainly one of 2019’s best under the radar efforts, further proves that the group can sustain and grow beyond the renewed buzz in emo and post-hardcore that helped elevate their whole scene earlier this decade. So that's what you get here.Formed 15 years ago in Grand Rapids, Michigan, long-running rock outfit La Dispute are beloved in the modern post-hardcore scene, amassing something of a rabid fanbase thanks to four phenomenal full-lengths, which pull from influences of emo, spoken word, indie, progressive, and experimental rock, resulting in one of the most unique and hard to pin down sounds in modern punk. We wanted the songs to sound like how we've been playing them these last bunch of years. 'We also just loved the idea of and getting to play on this album as they weren't in the band at the time. 'You might be asking 'Why re-record this album?' Mostly it's because we physically couldn't remix and remaster the 2009 version due to all the files being lost when the hard drive containing them crashed,' the band's Jeremy Bolm explained in a statement.

Tuch served as an engineer on the band's 2018 single 'Green.' Rickley and Jeff Eaton of Modern Life Is War also rerecorded their guest appearances for the new version. To the Beat of a Dead Horse was recorded by Zach Tuch and mixed by Converge's Kurt Ballou.

Mixed by Kurt Ballou (Converge).ġst standalone pressing of the re-recorded version. Guest vocals from Geoff Rickly (Thursday) & Jeff Eaton (Modern Life Is War).

Von der Band self-released: kein reiner Repress des Debuts, sondern eine Neuaufnahme im aktuellen Line Up!Įs handelt sich um eine 500er Pressung, 300 Stück in UK, 200 bei uns! Silver/black swirl Vinyl.

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